January 14, 2007
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There are lots of flaws in these pants.
The pockets are put together wrong. The inside is a telltale record of my errors and re-doings. There are imperfect corners on the waistband.
However, I am very pleased with them.They are recognizable as pants. They fit. They are comfortable. With a sweater or jacket covering the badly-done pockets, and no one having the opportunity to see the inside because I am wearing them, they will look like very nice pants.
They have some good points, even. I was surprised at how good the top-stitching looks. The paired back darts are a stylish detail. My hems are downright elegant.
I cannot undo and redo the pockets. This is because I put them together as the first step.
This is a sensible tip that I read online. You do the pocket assembly (in this classic pair, that means six different pieces of fabric) first, and then the zipper and fly. That means you do all the tricky bits on the flat. Of course, that did not keep me from making errors. Still, it is easier than doing it the usual way, with the pants mostly put together before you put in the zipper.
Presumably, next time I will have a clearer idea of what I am aiming at, and will not make that mistake.Then, once you have that bit done, you simply do the long straight seams, and you are ready to put on the waistband. It was only once the whole thing was constructed that I saw that the pockets were wrong. They do not lie flat, either when being worn or when merely hanging on a hanger. Upon closer inspection, I found that the length of the pocket insets simply doesn’t match the length … Well, I don’t know. I am not sure what they need to match the length of. Possibly some portion of the pockets escaped into the fourth dimension while I wasn’t looking.
There was a point, early on, at which I thought I had sewn the side insets backwards and I undid them. I think perhaps I was right the first time and wrong when I put them back together the second time. By the time I discovered this possibility, though, the whole pocket assembly had been so thoroughly sewn into the whole of the pants that repair was impossible.
In any case, I photographed them with their matching jacket when both simply needed buttonholes.
I then managed a respectable couple of machine buttonholes (I like a second, inside button on the waistband) on the pants.My sewing machine does not have automatic buttonholes, as many modern machines do. I used a scrap of fabric to figure out what stitch width and length approximated buttonhole stitch and what directions to go in, and then chanced the real ones. I tidied them up by hand, and they look fine.
I may be bold enough to do the buttonholes on the jacket today. If not, I still have my FO for the week.
If so, however, if I have actually mastered buttonholes, then great new vistas open up to me.
I will be able to make shirts (since, as you may recall, I have already tamed the wild Set-In Sleeve). I can make tropical print shirts in defiance of my kids’ assurances that they are completely inappropriate. I could finish the Rosie the Riveter shirt I said I would make for the Sew Retro project last summer.
Here the trousers are completing the three-piece suit which is a foundation of the SWAP, and then below with some other pieces of the SWAP to show how the colors work. The pattern is McCall’s 3740, a Palmer and Pletsch pattern which includes very simple pants with a back zipper, a flat-front pair with no pockets and a lapped front zipper, the ones that I made, and a pair with cuffed hems. The ideal approach would probably have been to make them in that order, honing my skills.
The version I made has, I read on the internet, “Escada style pockets.” This may have been my difficulty. I do not know what Escada is, and only know singing Italian. If they were pockets to do with God or love, I might recognize the allusion. Perhaps that would have made all the difference.
The pattern includes a lot of fitting information. I tried them on as instructed and found that I did not have smiles, frowns, or the dreaded Camel Toe effect (I read the sewing blogs; I know the lingo), so I guess the fitting directions work.
I sewed them in a grey microfiber that #2 daughter and I bought a whole bunch of when it was on sale for $3 a yard. One of the benefits of making a three-piece suit is that you get to use up all the little bits of extra fabric rather than cutting the small parts from large swathes of cloth, and can do the whole thing with much less fabric than you would calculate by adding up the yardage for the jacket, the skirt, and the pants.
I also used this fabric to line the bag I made last week. I really like this stuff, but I think I will have to send the rest (and there is some left) off to #2 daughter before I end up with any more garments made of it.
I may watch for other colors of it, though. The makers claim that it maintains its lovely feel and pretty sheen through many careless washings. They want it to be called a “supernatural” fiber rather than an artificial fiber.
Good luck to them on that.
So I will now go don my new pants and a nice sweater that will cover all its flaws, and get ready for church. More buttonholes may be in my future today, unless I decide to be sensible and clean house.


Comments (7)
Ah.. the idea. The mere idea of God pockets is so funny…
So funny that I had to type this like… four times.
We need to see them on.
professionally done…
Three less clothes items you need to get from the shops this year…
I am seriously impressed. Those clothes are not only smart, and have good lines, but they coordinate. Yes, I know, that’s the whole idea of the SWAP.
I have been in my place for more than a month and haven’t sewn yet. Partly because I need lots of things for the new place, and not much money to spend. There is a real shortage of money.
I should set a bit aside and start going through G Street Fabrics at least once a week. They have great fabrics at good prices, but some of their fabrics are SO good that they’re still expensive.
The most memorable thing I’ve seen there but couldn’t afford was silk denim, i.e., denim made of silk instead of cotton!
I’d like to get enough navy jersey for two nightgowns. If you do two together you get more for the time expended. The only catch is they need to use the same color thread. So I could do (for instance) one in solid navy and one in a print with a navy background. Or two solid navy ones and do different trim. Actually, two solid navy ones would be fine with me. Getting it done would be fine with me.
G Street Fabrics is fabulous! Their main store is in Rockville (which is not nearby), but they have a smaller store at Potomac Mills (which is also great).
So many fabric stores are run by people who know NOTHING about fibers or fabrics. I look for fabric to make an authentic Medieval tunic, see a big sign that says “linnen” and walk up and check the label on the bolt, and it says 100% polyester! Not at G Street, though. When the sign says silk, linnen or wool, that’s what it it is.
I have nothing against synthetics. My ultimate nightgown fabric would be at least 50% spun polyester jersey. Possibly 100%. But accurate signs let you FIND things. And not spend a half hour looking for a fiber that they don’t carry at all.
Potomac Mills is a mall about three miles away that conaists mostly of famous brand outlet stores. There are outlet stores for Hanes, Naturalizer, Corning, Fossil, Totes, and lots of others. They also have a large proportion of stores that sell seconds and overstocks at great prices. The food court sells at regular prices, though, and so do a few stores that have unusual and exotic goods.
I’m lucky to live near it. Except at Christmas, when the entire area is gridlocked.
Escada style pockets = God loves you even though your pockets suck.
No one will notice. I’ve worn so many badly made garments, and people still exclaim, “Oh my goodness! You MADE THAT?!?!”
Fantastic SWAP and your wardrobe is looking stunning. I guess I dropped SWAP. I am concentrating on outfits, though.